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Date : 2012-05-22
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GoGo Live The Musical Life and Death of a Chocolate City ~ Natalie Hopkinsons GoGo Live The Musical Life and Death of a Chocolate City demonstrates the essential connections between culture and community in an American city For generations now gogo music in Washington has not only given the authentic nonfederal parts of that city its musical milestones but it has—in the voice of so many great lead talkers—marked the civic and political time
GoGo Live The Musical Life and Death of a Chocolate City ~ At the peak of its popularity in the 1980s gogo could be heard around the capital every night of the week on college campuses and in crumbling historic theaters holeinthewall nightclubs back yards and city Go Live is a social history of black Washington told through its gogo music and culture
GoGo Live The Musical Life and Death of a Chocolate City ~ Natalie Hopkinsons GoGo Live The Musical Life and Death of a Chocolate City demonstrates the essential connections between culture and community in an American city For generations now gogo music in Washington has not only given the authentic nonfederal parts of that city its musical milestones but it has—in the voice of so many great lead talkers—marked the civic and political time
GoGo Live The Musical Life and Death of a Chocolate City ~ Natalie Hopkinsons GoGo Live The Musical Life and Death of a Chocolate City demonstrates the essential connections between culture and community in an American city For generations now gogo music in Washington has not only given the authentic nonfederal parts of that city its musical milestones but it has—in the voice of so many great lead talkers—marked the civic and political time
“Gogo Live The Musical Life and Death of a Chocolate ~ GoGo Live The Musical Life and Death of a Chocolate City Duke Univ paperback 2295 ties the rise of the music to the socioeconomic vacuum created in the wake of the urban violence and
GoGo Live The Musical Life and Death of a Chocolate City ~ Excerpted from Chapter 1 A Black Body Politic footnotes omitted from GoGo Live The Musical Life and Death of a Chocolate City by Natalie Hopkinson
GoGo Live The Musical Life and Death of a Chocolate City ~ It is this alienation that Natalie Hopkinson addresses in GoGo Live On the surface the work is about a locally created and supported musical phenomenon that relies heavily on congas and other drums to produce an infectious beat and rhythm It is a grassroots form of expression that maximizes its impact through live performance
GoGo Live The Musical Life and Death of a Chocolate City ~ GoGo Live The Musical Life and Death of a Chocolate City By Natalie Hopkinson Natalie Hopkinson Natalie Hopkinson a contributing editor of lectures at Georgetown University and directs the Future of the Arts and Society project as a fellow of the Interactivity Foundation She is the author
GoGo Live The Musical Life and Death of a Chocolate City ~ The Chocolate City is in decline but its heart s distinctive gogo musical culture continues to beat On any given night theres live gogo in the metro area GoGo Live The Musical Life and Death of a Chocolate City
Project MUSE GoGo Live The Musical Life and Death of a ~ In GoGo Live The Musical Life and Death of a Chocolate City Natalie Hopkinson considers the current constituency’s use of gogo music performance as a vehicle through which history is transmitted and sociopolitics is negotiated While DC’s black majority declines receding to the suburbs and acquiescing to gentrification native practitioners and scholars clamor to document and preserve its rich cultural legacy
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