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Date : 2014-03-07
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Spectacular Digital Effects CGI and Contemporary Cinema ~ Spectacular Digital Effects CGI and Contemporary Cinema Kristen Whissel on FREE shipping on qualifying offers By developing the concept of the digital effects emblem Kristen Whissel contributes a new analytic rubric to cinema studies An effects emblem is a spectacular
Duke University Press Spectacular Digital Effects ~ “Spectacular Digital Effects seeks to redeem oftmaligned computergenerated imagery in blockbuster cinema arguing that the spectacle of digital effects enhances rather than detracts from the narrative This aim is a muchneeded move for balance in the field of media studies and the conceptual framework based in the historical study of
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Project MUSE Spectacular Digital Effects CGI and ~ In spectacular digital effects cgi and Contemporary Cinema Kristen Whissel argues that the computergenerated special effects so popular in contemporary postmodern blockbuster cinema are more than mere spectacle interrupting or halting the narrative to provide the audience with moments of awe
Events – University of California Berkeley ~ Whissel researches cinema and technological change silent cinema and modernity digital cinema visual effects and the history and theory of the stereoscope and 3D cinema She is the author of Spectacular Digital Effects CGI and Contemporary Cinema and Picturing American Modernity Traffic Technology and Silent Cinema
From Special Effects to Feminism UCSB Fall Film Series ~ Whissel specializes in visual effects technological change digital cinema and the history of stereoscopic 3D Her 2014 book Spectacular Digital Effects CGI and Contemporary Cinema highlights how computergenerated visual effects connect and enhance the narrative structures on the screen
Kristen Whissel Talks about Spectacular Digital Effects ~ The first in a series of quarterly columns featuring discussions with scholars on their latest monographs and the evolving field of film and media studies
Kristen Whissel Department of Film Media UC Berkeley ~ She is the author of Spectacular Digital Effects CGI and Contemporary Cinema Duke University Press 2014 and Picturing American Modernity Traffic Technology and Silent Cinema Duke University Press 2008 The latter was awarded the Katherine Singer Kovacs Book Award in English Language Media Studies Honorable Mention in 2010
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