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Date : 2017-12-01
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Rating : 3.5
Reviews : 2
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Sounds of Crossing Music Migration and the Aural ~ In Sounds of Crossing Alex E Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño a musical genre originating from northcentral Mexico Following the resonance of huapangos improvisational performance within the lives of audiences musicians and himself—from New Years festivities in the highlands of Guanajuato Mexico to backyard gettogethers along the back roads of central Texas—Chávez shows
Sounds of Crossing Music Migration and the Aural ~ In his book Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño Duke 2017 Dr Alex E Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and aural poetics of huapango arribeño a musical genre originating from northcentral Mexico
Chávez Alex E 2017 Sounds of Crossing Music Migration ~ Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño Durham NC Duke University Press Alex Chávez’s bold and engaging study of huapango arribeño in the everyday lives of Mexican migrants fills a void in anthropological and ethnomusicological scholarship Sounds of Crossing crosses back and forth over
Sounds of Crossing Music Migration and the Aural ~ Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño ‐ by Chávez Alex E David Spener Trinity University San Antonio Search for more papers by this author David Spener Trinity University San Antonio Search for more papers by this author First published 16 October 2019
Review Sounds of Crossing Music Migration and the ~ In Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño Alex Chavez asserts that huapango arribeño a vernacular music derived from the Mexican states of Guanajuato Querétaro and San Luis Potosi respatializes the lives of Mexicans living north and south of the border due to this particular music’s improvisational practices between performer and audience and the creation of a dialogic space that forms transnational pathways of “moving bodies and bodies
Project MUSE Sounds of Crossing Music Migration and ~ Alex E Chávez Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño Durham Duke University Press 2017 440 pp Durham Duke University Press 2017 440 pp Alex Chávezs Sounds of Crossing looks at the way the genre of music called huapango arribeño humanizes its primary participants—Mexican migrants—in a deeply dehumanizing political moment
Sounds of crossing music migration and the aural ~ Explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño a musical genre originating from northcentral Mexico Following the resonance of huapangos
Sounds of Crossing Music Migration and the Aural ~ Get this from a library Sounds of Crossing Music Migration and the Aural Poetics of Huapango Arribeño Alex E Chávez Alex E Ch65533vez explores the contemporary politics of Mexican migrant cultural expression manifest in huapango arribe65533o a musical genre from northcentral Mexico that helps Mexicans build
Duke University Press Sounds of Crossing ~ In Sounds of Crossing Alex E Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño a musical genre originating from northcentral Mexico Following the resonance of huapangos improvisational performance within the lives of audiences musicians and himself—from New Years festivities in the highlands of Guanajuato Mexico to backyard gettogethers along the back roads of central Texas—Chávez shows
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